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Multiple Simultaneous ExportĬapture One’s export options are incredibly vast, and it can be the source of some intimidation at first, but the benefit of having all those options is that there is so much that can be done with it. As you can see, there is a significant difference in both hue and saturation with the RGB Curve, and correcting that takes time and effort. See the example belowīoth processed images have precisely the same curve values applied, but one is using the RGB curve and the other the Luma Curve.
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There is, perhaps, no more obvious place to see this than when adjusting skin or color managed products, and so it’s common to find Capture One’s luminosity controls among the top favorite features of portrait, fashion, studio and wedding photographers who use Capture One. So as you use a standard Curve tool, you’ll be introducing shifts to the color and saturation, but with Luma Curve you’re only adjusting the contrast without changing color so it's a matter of tones versus color. This is significant because as you adjust the lightness and darkness values with curves or any other way, you are adjusting contrast, and contrast has a direct effect on hue and saturation. In a concise statement, Luma Curve allows you to precisely control tones separately from color. It’s a curve tool that appears as all curve tools you’ve seen before, but rather than adjusting the RGB values all together or by channel, the Luma Curve tool adjustments only affect the luminosity values. It is true, later versions of Lightroom have a degree of control with Luminosity, but Capture One’s are vastly more developed, more akin to Luminosity blending mode in Photoshop, and Lightroom does not have Luma Curve at all. So what is it? This is a big one, and one of those features that can hook someone on Capture One just because of it.
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I highly recommend you click here for a 30-day full trial of Capture One Pro so you can follow along - seeing is believing, after all. Here, however, we’ll be direct and quickly highlight a few things Capture One has/can do that Lightroom doesn’t/cannot.
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As a raw processor, it is considered the gold standard, but without using it and experiencing the software some of its unique qualities can sometimes be less obvious to see, and comparative articles are often bathed in ambiguity to be suggestive rather than declarative - enough that it makes delivering unequivocal statements a near impossibility.
![capture one pro 12 metadata crash capture one pro 12 metadata crash](https://alexonraw.com/wp-content/uploads/2017/11/11_img_32.jpg)
And though both are raw processors, Capture One and Lightroom are not the same in terms of feature set, general performance parameters, and approach - each with their particular strengths.Ĭapture One is multifaceted image processing and asset management software.
![capture one pro 12 metadata crash capture one pro 12 metadata crash](https://alexonraw.com/wp-content/uploads/2018/08/1fe735be-0074-4bfb-a5ba-6261720dfb66.jpg)
While you may change camera bodies, lenses, lights, locations, and styles, the one constant that touches all of your images is the software used to develop them. "Better," of course, is somewhat subjective overall, but less so with specific features, and though that quest to find the best software is not necessarily an easy one, it is necessary. As with the first, if you’re reading this, the likelihood is that you are or were recently a Lightroom user and are curious about a better software solution with which to treat your images. This is the second in this series of posts highlighting some of the differentiators between Capture One and Lightroom.